Transform one piece of an idea at a time. We like stay with what we know. Regardless of whether it’s a first draft or a five-year-old work — once a thought exists it becomes harder to think about another.
Iris Shoor presents a neat and simple strategy to conquer blocks. Taking an idea and breaking it into smaller pieces. Quit seeing at your work as a single whole.
Create a rundown of components. After that, concentrate on one section and change only that. A fascinating thing about this strategy: simply isolating components helps thoughts to begin streaming.
I respond by explaining in detail how I design. I drew for years as a child. Educate others kindly that creating is truly difficult work. I’ve worked as a designer the moment I turned 18, while also studying Fine Art (and classical piano). I learned to love studying computer programs and reading books on design and productivity. Slowly putting that knowledge to use every day. Spent the last 17 years learning techniques from many amazing colleagues. That said when others (even clients) are excited to tackle a design project I encourage them to do so. If they can stick with it and do it themselves, good for them!
Facebook isn’t email
Most people don’t even see your posts. The FB algorithm shows only what they think will keep you on FB. All of your friends are hidden.
“I learned a real profound lesson with the Inside news app. You can get 500,000 people to download an app, but only 1 percent or less will use it a day. And then I realized, I took the same information that was in the app, I emailed it to the same audience and 40, 50, 60 percent opened it every day.” Jason Calacanis on Recode Media Podcast
On the user end, email is super easy to control. You own it. Most email programs make it easy for users to sort email automatically, search, and surface content when you want it.
Hit Makers make content popular, not viral sharing
Viral sharing is over rated. Tracking memes and “viral content”, analytics discussed in the new book Hit Makers show that they stay within small circles until famous hit makers and influences get involved. Distribution is more similar to traditional broadcast media than you think. And most people find out about content through the big broadcasters promoting.
“Facebook initially went ‘viral,’ not by building a product that every person might share with five other people, like a disease, but by using networks that existed. They digitized the Harvard network that existed, and the Ivy League networks that already existed.” Derek Thompson, Atlantic Senior Editor
Brian E. Young is a graphic designer and artist in Baltimore, MD.
Artists and designers use the word productivity to describe the art of deciding and acting on our top priorities. When we work with our values, we give our life a sense of meaning. First, we notice what we really want. Then, we figure out ways to keep those tasks and projects in motion.
Sometimes we don’t really think through the steps involved. We end up putting effort on reacting to situations we don’t really care about. We’ll often be distracted by helping others with their dreams. We’ll help them in ways that don’t make sense for our own lives. We’ll react to whatever random thoughts come to mind. Often any mental connect of our day triggers these thoughts if we don’t have a way to practice.
Meanwhile, the Stanford survey found that thoughts about the past and future actions lead to finding meaning in life. Connecting to other people deeply with a sense of responsibility helps with both meaning and happiness. Finding meaning often is stressful. We might choose the career of our dreams, engage in hobbies, raise children, and travel. All of these include both levels of uncomfortable mental or physical trouble. Those choices also help us feel less stressed .
We could use the term task for anything that we need to carry out. We might have bigger more complex life projects filled with recurring tasks. Productivity for most people includes continually balancing our wants with those of others, dealing well with stress, and defining ourselves.
Brian E. Young is a graphic designer and artist in Baltimore, MD.
The one thing I miss lately in my design work: Super close work with others. Anthony Wood over at Creative Boom writes about his 10 favorite reasons:
Graphic designers are rarely alone; they’re often part of a creative team or working closely with the client, collaborating to come up with the best possible solution. You’re likely to get to know PR professionals, copywriters, marketers, advertisers… you’ll probably work with senior management and be expected to consult with company directors.
Your role will rely on many business relationships; the knock-on benefits of which will only boost your skills and experience – especially your ability to effectively deal with different personalities.
I love talking through visual approaches, getting super into detail about the schedules, and coming to agreement on changes. My current projects involve mostly independence – less collaboration. Much of the fun involves engaging with positive and passionate designers, editors, and project managers to put the puzzle together.
For me, that’s the best kind of design work beyond making everything look pretty.
Often we get in our own way without realizing it. Figuring out which habit of thinking help or hurt us can be tricky. Often habits emerge from the environment and conditioning. The heart of creativity is solving problems in interesting ways.
Here’s a list of ten ways to look at your creative processes based on problem solving techniques used to change unhelpful thinking and the resulting behaviors.
Tip 1: Embrace the grey.
Compromise and find middle ground. Often when we’re stuck creatively, it’s because we’ve decided it exists as one thing or another other. It appears as the perfect most photorealistic painting or it is completely worthless. We must use all paints and no pencils. We’re a print graphic designer and don’t do the web.
Those are perfectly acceptable choices, sure. It’s also worthwhile to consider—revisiting the above examples—that any effort painting can yield lessons. That mixed media becomes really cool and interesting. And knowing a bit about the web, even if you’re primarily an expert print designer, is still better than nothing.
Tip 2: Focused on the task at hand.
Over-applying negatives about a task to all aspects of our life can trip us up. We’ll define ourselves by our job, our art, and our relationships. If we’re not “always” a perfect artist, this trap tells us, then we’re “never” worth much in all areas of our life. If your project isn’t the most original thing in the world, it doesn’t represent your self-worth.
Tip 3: Identify the positives.
We tend to only see the negatives. The positives are invisible to us. Notice what’s good about your efforts. It’s the only way to keep motivated to keep working and making.
Tip 4: Positives matter.
Even if we see the positives, it makes sense to take delight in good aspects. Make sure that you notice the positives about your work, and that you actually like and love those awesome aspects. Find where your strong happy emotions are. They tell your point of view.
Tip 5: Consider alternative solutions.
The first solution isn’t necessarily the best one. Avoid jumping to conclusions. Feel free to jump in to reality test your assumptions. Just because you’re trying something doesn’t mean it’s true either.
Tip 6: Stay present.
You can’t predict the future. We often envision disaster as a form of procrastination. This makes sense from an evolutionary standpoint. We developed an imagination to help us understand and avoid danger. Catastrophizing and fortune-telling takes this to an implausible level and cripples our creative muscles.
Tip 7: Gather comments.
Don’t assume the worst. Clearly communicate as best you can to your audience and collaborators. We don’t know if others will hate our work unless we share. Carefully curate that feedback for what we find usable and doable.
Tip 8: Consider evidence along with feelings
Don’t believe everything you feel and think. Consider what these thoughts and feelings are really based on. From there, we can create brand new conclusions.
Tip 9: Work with what’s possible
Don’t demand unrealistically about yourself and others. Understand where your expectations come from and what they are. There’s a thin line between positive idealism and negative perfectionism. Learn to understand how to be most productive.
Tip 10: Describe specific circumstances.
Avoid negative labeling of yourself and others. There’s no need to use unkind names when a neutral word or thought will do. Consider all contributing factors.